KISS MY AZTEC!

KISS MY AZTEC! is both a title and sassy reply in this revisionist musical tale about the Aztecs, and all those uninvited Spaniards that keep arriving and offers an entertaining, and energetic spoof on Latinx history now playing at The La Jolla Playhouse.

The cast of La Jolla Playhouse’s production of Kiss My Aztec!
photo courtesy of Kevin Berne/Berkeley Repertory Theatre; photo courtesy of Alessandra Mello/Berkeley Repertory Theatre.

Narrated by Tolima (Maria-Christina Oliveras), a native whohas the ability to do some magic the story follows the Aztec people as theyrise up against those unwanted invaders from Spain who are enslaving theirpeople and stealing their gold. Colombina (Yani Marin) is the daughter of the leader El Jaguar Negro(Chad Carstarphen) and dreams of going into battle by his side and bringingvictory to her people.  Even though this feministhas the skills and the drive to be a great warrior she’s told to attendto more womanly duties. An instruction she takes as a challenge and sings adefiant “Don’t Tell Me What I Can’t Do” in response.

(Front) Yani Marin as Colombina with cast members (back row, l to r): Al Rodrigo, KC de la Cruz, Jesús E. Martínez, Desiree Rodriguez, Zachary Infante and Richard Henry Ruiz photo courtesy of Alessandra Mello/Berkeley Repertory Theatre.

Meanwhile, the gentle Pepe (Joél Pérez) is an artist who istrying to avoid going into battle, preferring to perform his sock puppet comedy(one named Machu and the other Picchu) and trying to win the affections ofColombina.  When they find that theirsoldiers are marching into a battle missing a key resource they plot to getinside the citadel to steal it and help win the battle.

In the citadel the leader of the Spanish Viceroy Rodrigo (Al Rodrigo) is trying to shore up his power while also managing his unruly children, the scheming Fernando (Zachary Infante) and the willful Pilar (Desireé Rodriguez) who are trying to oppose his every instruction.

Both Marin and Pérez are winning leads, and bring lots of comedictalent and good voices to their roles. They steal the show with their duet “ChainedMelody” in the second act.  

Carstarphen has a great number with the inspiring “Make the Impossible Possible”, and is very funny as Reymundo, the Spanish Cardinal who is also in cahoots and in bed with Fernando. Rodrigo as the villainous Viceroy is a worthy fairytale villain with his dramatic cape flourishes and dastardly plots of marrying off her daughter for his own power gain. 

(Front) Zachary Infante (Sebastian); (back row, L - R): KC de la Cruz (Ensemble) and Angelica Beliard (Ensemble) photo courtesy of Kevin Berne/Berkeley Repertory Theatre.

Rodriguez stands out with a song “Dark Meat” plotting how to ruinher father’s plot to marry her off and to expand her sexual conquests at thesame time. Infante is excellent as the calculating Fernando but steals the showas the Spanish Sebastian looking for a new bride in “New Girl, New World.”

The story is a fun folklore fantasy that entertains as it touchesupon issues that still resonate today.  Writtenby John Leguizamo andBerkeley Rep artisticdirector Tony Taccone this musical co-production between the LaJolla Playhouse and the Berkeley Repertory Theatre has a feverish energy, andbiting commentary that you would expect from that collaboration.

The hallmarks of Leguizamo’s comedic style have clearly madeit into the show; it’s funny, high energy, bold and brash, deliberatelychallenging, as well as a bit unwieldly. At over 2 hours there are times itfeels unfocused and meandering and it would be a sharper production if it wasedited a bit more.  

There is an attempt to create a language hybrid infused withmodern, hip hop, slang, and Elizabethan language that is effective but couldbenefit from not ending in so many words in “ist” or “ith.”  After a while it starts to feel more forcedthan it needs to as the show goes on. (There is also plenty of adult languageand situations for those who may find that offensive.)

Music by Benjamin Velez, and lyrics by David Kamp, Velez,and Leguizamo have created genre-hopping song infused with salsa, jazz,hip-hop, and more.  It’s a fitting mixfor a show about forced integration of diametrically opposed forces that theshow doesn’t fit any one musical style.

Scenic design and costume design by Clint Ramos blends thecontemporary with the industrial set allowing cast to climbs and utilize thevarying heights, with costumes that range from fully historical costume to moremodern uses of leather, denim, and more.

KISS MY AZTEC! is very spirited, and entertaining musical that explores the past to help us navigate the future with plenty of laughs.

KISS MY AZTEC! is playing at the La Jolla Playhouse through October 13th.  For ticket and show time information go to www.lajollaplayhouse.org

Previous
Previous

THE VIRGIN TRIAL

Next
Next

DANCE NATION